Drawing and painting are among the most popular retiree hobbies. If you have decided you want to become a casual painter, but have no formal training, the prospect may seem intimidating. You don't need a master teacher to started. You just need some of the pointers on art design Piney Flats TN artists find helpful.
The great thing about art is that the rules are really suggestions. You don't have to follow them to create interesting work. You do have to learn control however, and that is where composition comes in. Good composition commands the viewer's eye and can disturb, confuse, or please. It all depends on your use of tone, color and shape.
The ancient Greeks pursued perfection and ideal form more than any other civilization. It should not be surprising that we are still conforming to their formulas today. All mathematicians know about the Golden Rule, 1:1.62, which for the Greeks epitomized the perfect proportion. They applied the ratio to math, politics, science, physical beauty, and art. The dimensions might not mean much without checking simple rectangles you see every day, like credit cards and books.
The rule of thirds almost seems like a trick, but is a common design element. You divide your painting surface into thirds, both vertically and horizontally. Place strategic elements by the lines or in the intersection between lines. This creates strong design that pleases the eye. Without becoming too formulaic, you should try the idea out in several different ways.
Implied lines are extremely powerful, and not everyone realizes why their eyes travel over a painting in a particular way. Outlining isn't necessary to create a sense of movement, especially if your painting is realistic. Lines can be made by using contrasting colors and different tonal values. The eye will follow an implied line until it meets another one of equal strength.
Contrast is another effective way to control the way a viewer interacts with your subject matter. It is called by many names, and artists have become revered by their mastery of the technique. In its simplest form, you put one color such as black against another, at the other end of the color spectrum, such as white, and the eye will automatically go to the white. You should try using this technique at your painting's focal point and see how well it works.
Angling your subject matter is another technique, or trick, that will instantly make your whole painting more interesting. It gives the scene the feeling of movement and action that can be very effective. You might try sketching a drawing one way, then tilting an element off balance in another to see which one of them you like best.
If you have plenty of time to indulge your new hobby, you should try out all kinds of compositional strategies. Some will work for you and others won't. It doesn't really matter if you are satisfied with the results.
The great thing about art is that the rules are really suggestions. You don't have to follow them to create interesting work. You do have to learn control however, and that is where composition comes in. Good composition commands the viewer's eye and can disturb, confuse, or please. It all depends on your use of tone, color and shape.
The ancient Greeks pursued perfection and ideal form more than any other civilization. It should not be surprising that we are still conforming to their formulas today. All mathematicians know about the Golden Rule, 1:1.62, which for the Greeks epitomized the perfect proportion. They applied the ratio to math, politics, science, physical beauty, and art. The dimensions might not mean much without checking simple rectangles you see every day, like credit cards and books.
The rule of thirds almost seems like a trick, but is a common design element. You divide your painting surface into thirds, both vertically and horizontally. Place strategic elements by the lines or in the intersection between lines. This creates strong design that pleases the eye. Without becoming too formulaic, you should try the idea out in several different ways.
Implied lines are extremely powerful, and not everyone realizes why their eyes travel over a painting in a particular way. Outlining isn't necessary to create a sense of movement, especially if your painting is realistic. Lines can be made by using contrasting colors and different tonal values. The eye will follow an implied line until it meets another one of equal strength.
Contrast is another effective way to control the way a viewer interacts with your subject matter. It is called by many names, and artists have become revered by their mastery of the technique. In its simplest form, you put one color such as black against another, at the other end of the color spectrum, such as white, and the eye will automatically go to the white. You should try using this technique at your painting's focal point and see how well it works.
Angling your subject matter is another technique, or trick, that will instantly make your whole painting more interesting. It gives the scene the feeling of movement and action that can be very effective. You might try sketching a drawing one way, then tilting an element off balance in another to see which one of them you like best.
If you have plenty of time to indulge your new hobby, you should try out all kinds of compositional strategies. Some will work for you and others won't. It doesn't really matter if you are satisfied with the results.
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